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Running Script (Xingshu) is characterized by its fluidity, connectivity, and expressiveness. These key characteristics set it apart from more structured scripts like Kaishu and give it its unique artistic charm. Understanding these principles is essential for appreciating and practicing Xingshu. One of the defining features of Xingshu is its flowing lines. The brush moves more freely across the paper, resulting in strokes that are more dynamic and less rigid than in Kaishu. The strokes appear to flow from one to the next, almost as if the artist is writing one continuous line, even though the strokes are still often separate. Unlike the distinct and individual strokes of Kaishu, Xingshu often connects strokes within a character or between adjacent characters. These connections can be partial or full, and they create a sense of movement and unity within the writing. These linkages are what give the script its flowing characteristics. Xingshu is also known for its expressive potential. Calligraphers can vary the speed, pressure, and angle of their strokes, allowing for personal expression. The style is very much a reflection of the personality of the artist who created the piece. The balance of legibility and expressiveness is another key aspect. While Xingshu is more fluid and dynamic than Kaishu, it is still designed to be reasonably legible. It finds a balance between artistic license and the practical demands of writing. |
Tag : xingshu characteristics, running script flow, connecting strokes, expressive calligraphy, calligraphy styles
This article explores the future of Running Script, focusing on how artists are experimenting with new materials, techniques, digital tools, and collaborations to push the boundaries of the art form while preserving its core principles.
This article explores the importance of spacing (Bùbái) in Running Script, detailing how the arrangement of characters and the use of empty space enhances readability, balance, visual flow, and overall aesthetic impact.
This article explores the concept of “letting go” (fang) in Running Script, highlighting the importance of releasing the need for excessive control and allowing the brush to move with spontaneity and natural grace to achieve a more authentic expression.
This article discusses the importance of water in Running Script calligraphy, highlighting how it influences ink density, stroke texture, and the overall appearance of the artwork, as well as how the type of paper influences the process.
Running script, xingshu, is not a static art form; it continues to evolve and inspire contemporary artists who are reinterpreting the tradition with new approaches and techniques. This essay will explore how contemporary calligraphers are pushing the boundaries of xingshu, while honoring its historical roots. We will begin by acknowledging the traditional roots of the script, and emphasize how contemporary calligraphers are deeply engaged with the rich history of xingshu. We will focus on the fact that the contemporary practice is not a rejection of history, but an active dialogue with the past.