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The concept of bai (白), or space, is a fundamental element in the composition of Tang Kaishu, often considered as important as the strokes themselves. Calligraphers meticulously managed both the positive space of the ink strokes and the negative space that surrounded them, creating balanced, harmonious, and visually engaging designs. The use of space was as important as the writing itself in the Tang period. The space within a character, created by the arrangement of strokes, was carefully considered by Tang calligraphers. The interplay between filled and empty space was crucial for achieving a sense of balance and visual interest. The proper arrangement of internal spaces helped to enhance the overall aesthetic. The spacing between characters and lines of text also contributed to the overall rhythm and flow of the composition. Calligraphers used space to create a sense of visual harmony, preventing the text from appearing too cramped or too sparse. The management of the space between characters helped to enhance the overall flow of the work. The negative space surrounding a piece of calligraphy also played a vital role in the visual perception of the work. The use of blank space helped to highlight the text and the strokes. The careful management of space emphasized the visual appeal of the calligraphy. The mastery of bai in Tang Kaishu demonstrates that the composition of calligraphy is not just about the application of ink, but the skillful management of space as well. The proper use of space was a core element of the calligraphic aesthetic. The careful control of space helped to emphasize the beauty of the design. |
Tag : Tang Kaishu space, Chinese calligraphy, negative space, calligraphy composition, bai
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