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The Eastern Jin Dynasty (317-420 AD), although relatively short-lived, was a period of significant artistic and cultural development, marked by experimentation with calligraphic forms. Calligraphy during this period is notable for its fluidity, expressiveness, and the emergence of elements that would later define Kaishu. Although fully formed Kaishu was not yet established, the seeds of this script style were being sown during the Eastern Jin era. The period was critical for the early development of Kaishu. The calligraphy of the Eastern Jin is often characterized by a flowing, almost cursive, style, reflecting the preference for naturalness and spontaneity in artistic expression. However, many examples also exhibit the beginnings of a more structured, more regular style. This interplay of fluidity and emerging regularity showcases the transitional nature of the calligraphy at that time. This combination of styles reveals the transitional nature of the time. Although the primary calligraphic styles during the Eastern Jin were still influenced by Li Shu, variations of strokes and structure were becoming more apparent. The calligraphers of this time experimented with individual strokes, simplifying their forms, and gradually moving toward greater balance and symmetry. This demonstrates a gradual trend towards greater balance and a more simplified style. Many of the calligraphic works of the Eastern Jin Dynasty have been preserved as manuscripts, offering valuable insight into the everyday writing practices of the period. Manuscript culture at this time enabled calligraphers to develop new brush techniques and more expressive styles. The manuscript styles offered a look at calligraphy as practiced daily. The Eastern Jin Dynasty provided an essential setting for the slow and incremental shift toward the regularity of Kaishu. The experiments during this era were critical to the development of standardized forms and techniques. The experimentation with style was crucial for future calligraphic advances. |
Tag : Eastern Jin calligraphy, early Kaishu elements, pre-Tang manuscripts, Chinese calligraphy, transitional scripts
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