While blue and white porcelain is undoubtedly the most famous ceramic style of the Yuan Dynasty, it is important to acknowledge the other equally significant forms of pottery production of the era. These less-celebrated wares offer valuable insights into the diversity and richness of Yuan ceramic traditions. While blue and white is the most famous product of the period, there is a lot more to Yuan pottery than just that. One notable style is "Shufu ware," a creamy-white porcelain with a subtle, unctuous glaze. This ware is often characterized by its moulded or carved designs and its delicate appearance. Shufu ware offers a distinct contrast to the bold blue and white. These pieces show a different set of aesthetic choices. Other Yuan ceramic styles include Cizhou ware, which featured boldly painted designs in iron-brown or black over a white slip. This style is characterized by its more rustic, folk art aesthetic and its sturdy forms. Cizhou wares have a vibrancy and a rustic feel that is all their own. Longquan celadon also continued to be produced during the Yuan Dynasty. This style is renowned for its thick, jade-like green glaze and its often sculptural forms. The celadon of the era continued to be highly prized throughout the world. The diversity of these Yuan ceramics demonstrates the breadth of creative output during this time. Although often overshadowed by blue and white, these other styles provide a more complete picture of the period's ceramic achievements and artistry. They demonstrate the full range of creativity during the Yuan Dynasty. |
Tag : Yuan ceramics, Shufu ware, Cizhou ware, Longquan celadon, Chinese pottery
The Yuan Dynasty marks a pivotal moment in the history of Chinese ceramics, primarily due to the emergence and rapid development of blue and white porcelain. While blue and white wares had appeared in earlier periods, it was during the Yuan that these pieces, decorated with cobalt blue under a clear glaze, rose to prominence and became a defining feature of Chinese porcelain. The Yuan dynasty represents the beginning of a new approach to ceramic design, and the influence of Yuan blue and white porcelain can still be seen in pottery traditions today.
This article delves into the various inscriptions and marks found on Yuan Dynasty porcelain, explaining how kiln marks, imperial marks, and other inscriptions provide valuable information about origin, patronage, and intended use.
This article explores the symbolism and cultural meanings behind the decorative motifs found on Yuan Dynasty porcelain, such as floral, animal, geometric, and figural designs, offering a deeper understanding of the era's culture.
The influence of Islamic art, particularly that of Persia, can be seen in some aspects of Yuan Dynasty ceramics, especially in the decorative motifs and use of certain colors, and the contact between different cultures via trade routes at this time is a key element in the overall design and appearance of some Yuan period ceramics.
This article examines the significant influence of Yuan Dynasty porcelain on Japanese ceramics, particularly during the Muromachi period, focusing on its impact on the tea ceremony and local porcelain production.